The days when I stored all my work under my bed are long gone (partly because I believe there should be absolutely nothing under your bed), and improving storage for artwork has become a bit of an obsession (and maybe a way of procrastinating).

I am not a big fan of those portfolios where you just stuff a pile of drawings into the pocket inside. They are great for transporting work (which is what they were originally meant for, as the word implies) and for storing it to some extent, but I prefer an easy way to see all the content. Enter presentation display books.  I do my best to keep my house a 99% plastic-free zone, but there have to be exceptions.

These presentation folders keep drawings and paintings protected and organised and more visible (and almost flood-proof, though unfortunately when my house was flooded, most of my work was not in plastic pockets ), and they are particularly useful for work that is in a certain sequence, such as illustrations. I can also tuck notes and preparatory sketches into each pocket along with the main artwork, so everything is kept together and I can access it easily. I have them in A3 and A2, which are probably the most common sizes - it may be harder to get A1. The cover usually also has a clear plastic pocket, so you can customise it easily.

(I also love  architects' chests of drawers. I have something that comes close to it, but I would love to have the real thing - very thin drawers).

 

Three

12/05/2012

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Reading Man with a Blue Scarf after seeing the amazing exhibition.

Swans and light

Knitting for a tiny human

 
 
In the last few weeks I have taken a million pictures of the view from my window, after realising that I was -almost- taking my beautiful surroundings for granted. Now I have made it a habit to look out for and document the changing light and weather patterns across the bay, even if that means interrupting a guest mid-sentence and rushing outside to take a photo. I am using these for two different projects.

 
 
waiting for paint to dry between layers
 
 
Looking forward to reading this (and hoping I'll get to see the Lucian Freud exhibition in London in May, though my fear of crowds and queues and my unwillingness to deal with the hassle of acquiring tickets may prevent that from happening):
The book is illustrated with many examples of Freud's work, photographs and other artists' work that Freud discussed with Gayford.
 
 
work-in-progress, detail
 

Words

04/04/2012

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"Don't grow up too quickly, lest you forget how much you love the beach." (Michelle Held)
Water-soluble colour pencils on paper

 

Animals

12/03/2012

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All my life I've been drawing humans (mostly women) - now I am discovering animals. So much fun.

Some works-in-progress:
Sketching elephants |  I am learning the anatomy - even though I have mental images of animals, when it comes to drawing them, it doesn't come as easily as the human body; I guess I don't see hundreds of elephants every day!
Gathering material for illustrations featuring children and animals - working from photos I took in this case.
 
 
"When he draws, Ungerer never uses an eraser, preferring to redraw something as often as 30 times to get it right, but without losing the spontaneity. He is rarely satisfied, and hates to look back at his work."

I was delighted to read in this recent Guardian Review article that Phaidon Press is republishing Tomi Ungerer's books. He is an incredibly prolific author and illustrator.
The illustration below is from No Kiss For Mother (1973); since I have a penchant for grumpy cats, this book is on my wish list.